Morgan and Hutchinson are latest Watson recipients
 
Marissa Hutchinson, Catherine Morgan
Catherine Morgan and Marissa Hutchinson
are among 21 Berea College students to receive Watson Fellowships
since the College became involved in the program in 1988.
Her daddy was a weaver who taught
her how to quilt, but Catherine Morgan, 02, did not realize
the full cultural significance of this craft until coming to Berea.
Marissa Hutchinson, 02, grew up traveling all over the U.S.
and Canada, spending summers in a Montana cabin she and her mother
built, and working in construction before enrolling in Berea as
an art and technology major, where her interest in architecture
blossomed.
Next year, Hutchinson will explore local vernacular architecture
in central Asia, including Mongolian yurts, Chinese rural dwellings,
and Laotian bamboo structures. Morgan will study traditional and
contemporary quilting techniques while traveling through Russia,
England, Wales, and Canada. They are Bereas latest two recipients
of the Thomas J. Watson Fellowships, which allow students from
41 of Americas top liberal arts colleges to spend a year
traveling abroad exploring topics of their choice.
Morgan, a music and English major from Cincinnati, Ohio, will combine her interests
in quilting and creative writing with a goal to help keep Appalachian traditions
and customs alive. In addition to interviewing and learning techniques from
quilting experts in the areas she visits, she will also keep a journal of her
experiences and hopes to have a manuscript of poetry after her journey is completed. These
skills are part of a much larger culture, Morgan explains. I think
that visiting people of these areas and learning about their way of life will
really inform my writing.
Hutchinsons travels to Japan and Thailand as a Berea student
sparked her passion for the connection among materials, place
and lifestyle that has evolved into vernacular architecture, she
says. In our modern world, people are losing touch with what
theyre living in. She plans to study local architecture,
and to work on projects alongside native people, learning building
traditions through experiencing them firsthand, as they have been
passed down throughout architectures history.
The Watson Foundation is a charitable trust founded
by Mrs. Thomas J. Watson, Sr., to honor her late husband, the founder
of IBM.
Musician / Songwriter
Wins Foley Award
Jefree Hodge plays a bass he designed and made from trees
blown down by a heavy storm that hit the North Carolina farm
where he grew up. He and his father spent two months creating
the instrument.
Music and Appalachian instrumentation
major Jefree Hodge, 03, of Forest City, N.C., was awarded the
2002 Red Foley Memorial Music Award. He is the 31st recipient of
the annual award, established in 1970 to honor country music star
Clyde J. Red Foley, A28.
Hodge was featured at the Student Service Awards in May, playing
with two bands he helped found: the Berea College Bluegrass Ensemble
and One Blood. The non-traditional student has a family tradition
of Appalachian folk music. My dad played banjo in bluegrass
jam sessions, and my mom was always singing good old country music, Hodge
recalls. I soaked it up because it was such a big part of
our daily life.
Hodge plays guitar, string bass, dulcimer, banjo, harmonica, and
fiddle, as well as singing and writing music. Surprisingly, he
didnt begin playing until he was nearly 14 years old, on
a $5 guitar his grandfather bought at a flea market.
Most recently, Hodge has benefited from his work with Dr. Stephen Bolster and
the Berea College Concert Choir. Dr. Bolsters method of conducting
is amazing, Hodge says. He draws the most out of a variety of musical
experiences. I have developed a finer tuned ear working with him. Currently,
Hodge is drawing on his varied
experiences to arrange an orchestra piece that blends folk with classical music,
and compose a piece for the Phelps Stokes chimes.
The cash award he received as the Foley recipient will be helpful,
but to Hodge, the important thing is communicating through music. I
respect the power of music, he concludes. You dont
have to have expensive instruments to make good musicmusic
should be accessible to everyone. Whats important to me is
taking my $70 guitar and making the best music I can.
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