Music Theory, Literature, and Methods Courses
(Also see MUS-designated applied-music and ensemble course listings, as well as MUA applied (private) lessons)
Please note that the frequency of course offerings below is subject to change without notice, because of changes in faculty availability, sabbaticals and leaves, and other circumstances. Please consult the latest Schedule of Classes (and supplement), myBerea, revisions to online Catalog, and/or the Director of General Education to determine if a course will be offered during a certain term or year, especially if Satisfactory Academic Progress (SAP) is a factor.
MUS 106
World Music
Offered: Typically annually (next offered Fall 2009)
This course will examine the music within four cultures: Native American, Indian, African, and African-American. The music of each culture will be examined within the context of its history, peoples, and traditions. Musical examples, videos, oral presentations, class demonstrations, and special programs/concerts will be included. Students also will attend several College convocations and discuss, compare, and reflect on the various music cultures and experiences. Arts Perspective and World Culture (Non-Western) component in the International Perspective. NOTE: Noncredit for students who completed this course as GSTR 109.
This course will examine the music within four cultures: Native American, Indian, African, and African-American. The music of each culture will be examined within the context of its history, peoples, and traditions. Musical examples, videos, oral presentations, class demonstrations, and special programs/concerts will be included. Students also will attend several College convocations and discuss, compare, and reflect on the various music cultures and experiences. Arts Perspective and World Culture (Non-Western) component in the International Perspective. NOTE: Noncredit for students who completed this course as GSTR 109.
1 Course
MUS 115
Intro to Music Literature
Offered: Typically every Spring Term
An introduction to the study of music literature. Students in this course will be introduced to significant musical pieces from the major historical periods and will learn to distinguish the musical stylistic characteristics of those periods. Emphasis will be on the development of listening skills and appropriate methods and abilities to analyze, interpret, discuss, and write about music. Although the focus of the literature will be music from the Western art music tradition, selected examples of music from other world cultures will be included. May include required attendance of live musical performances on campus or in the region, as available and appropriate. Four periods per week. Arts Perspective.
An introduction to the study of music literature. Students in this course will be introduced to significant musical pieces from the major historical periods and will learn to distinguish the musical stylistic characteristics of those periods. Emphasis will be on the development of listening skills and appropriate methods and abilities to analyze, interpret, discuss, and write about music. Although the focus of the literature will be music from the Western art music tradition, selected examples of music from other world cultures will be included. May include required attendance of live musical performances on campus or in the region, as available and appropriate. Four periods per week. Arts Perspective.
1 Course
MUS 118
Fundamentals of Music
Offered: Typically every Spring Term
An introduction to reading music, including musical symbols and terminology, rhythm and meter, scales, key signatures, intervals, and chords. Both written and aural skills are developed. Simple musical forms and music literature are included. Designed particularly for: prospective Music majors and minors who need further development of fundamental written and/or aural skills in music in preparation for courses in the Materials of Music and Aural Harmony sequence. This course also is open to the general College student who wishes to develop fundamental knowledge and skills in music.
An introduction to reading music, including musical symbols and terminology, rhythm and meter, scales, key signatures, intervals, and chords. Both written and aural skills are developed. Simple musical forms and music literature are included. Designed particularly for: prospective Music majors and minors who need further development of fundamental written and/or aural skills in music in preparation for courses in the Materials of Music and Aural Harmony sequence. This course also is open to the general College student who wishes to develop fundamental knowledge and skills in music.
1 Course
MUS 186
Special Topics
Prerequisites: Determined by instructor
Offered: Typically as student interest and faculty availability allow
A course designed to meet the particular interests of student and faculty. Topics vary from year to year. See course description in the "Schedule of Classes."
Offered: Typically as student interest and faculty availability allow
A course designed to meet the particular interests of student and faculty. Topics vary from year to year. See course description in the "Schedule of Classes."
1/2 to 1 Course
MUS 216
Perceptive Listening to Music
Offered: Typically as student interest and faculty availability allow
A study of one or more of the arts, or of a particular medium, in a cultural, cross-cultural, or historical context. Attention will be given to form, structure, style, and other critical considerations. The course will have a research component. The primary focus of this course is the enhancement of the joy of listening to music through the development of music-listening skills in the framework of perceiving and understanding musical information. Emphasis on the attentive style of listening, the elements of music, and the variety of musical styles will be the three areas used to develop such a framework. Arts Perspective. NOTE: Noncredit for students who completed this course as GSTR 209.
A study of one or more of the arts, or of a particular medium, in a cultural, cross-cultural, or historical context. Attention will be given to form, structure, style, and other critical considerations. The course will have a research component. The primary focus of this course is the enhancement of the joy of listening to music through the development of music-listening skills in the framework of perceiving and understanding musical information. Emphasis on the attentive style of listening, the elements of music, and the variety of musical styles will be the three areas used to develop such a framework. Arts Perspective. NOTE: Noncredit for students who completed this course as GSTR 209.
1 Course
MUS 220
Materials of Music I
Prerequisite: Permission of instructor
Offered: Typically every Fall Term
Beginning a four-term sequence of courses in the theoretical approach to music, this is a study of the properties of sound, the overtone series, symbols of notation, rhythm, intervals, scales, and key signatures. Harmonic studies include triads and their inversions, phrase structure and cadences, and harmonic progressions. The course will focus on playing major and minor scales, all triad types and their inversions, and basic chord progres?sions using primary triads. Two class periods per week plus a keyboard lab. Usually taken in conjunction with MUS 221. NOTE: Noncredit for students who completed MUS 120.
Offered: Typically every Fall Term
Beginning a four-term sequence of courses in the theoretical approach to music, this is a study of the properties of sound, the overtone series, symbols of notation, rhythm, intervals, scales, and key signatures. Harmonic studies include triads and their inversions, phrase structure and cadences, and harmonic progressions. The course will focus on playing major and minor scales, all triad types and their inversions, and basic chord progres?sions using primary triads. Two class periods per week plus a keyboard lab. Usually taken in conjunction with MUS 221. NOTE: Noncredit for students who completed MUS 120.
1/2 Course
MUS 221
Aural Harmony I
Prerequisite: Permission of instructor
Offered: Typically every Fall Term
The relationship between the printed musical symbol and its auditory representation. The "musical ear" is developed through the sight-singing of simple melodies, intervals, scales, and rhythmic patterns. Brief exercises in melodic and rhythmic dictation and conducting patterns. Three periods per week. Usually taken in conjunction with MUS 220 (formerly 120). NOTE: Noncredit for students who completed MUS 312.
Offered: Typically every Fall Term
The relationship between the printed musical symbol and its auditory representation. The "musical ear" is developed through the sight-singing of simple melodies, intervals, scales, and rhythmic patterns. Brief exercises in melodic and rhythmic dictation and conducting patterns. Three periods per week. Usually taken in conjunction with MUS 220 (formerly 120). NOTE: Noncredit for students who completed MUS 312.
1/2 Course
MUS 222
Materials of Music II
Prerequisite: MUS 220 (formerly 120)
Offered: Typically every Spring Term
Continuation of MUS 220. The study of non-harmonic tones, seventh chords, modulation, the four-part chorale style, and keyboard style. Music forms, introductory counterpoint, and analysis of works from music literature. Playing basic chord progressions using the secondary as well as primary triads, harmonizing simple melodies, simple transposition, and basic harmonic progressions in four parts. Two class periods per week plus a keyboard lab. Usually taken in conjunction with MUS 223 (formerly 313). NOTE: Noncredit for students who completed MUS 121.
Offered: Typically every Spring Term
Continuation of MUS 220. The study of non-harmonic tones, seventh chords, modulation, the four-part chorale style, and keyboard style. Music forms, introductory counterpoint, and analysis of works from music literature. Playing basic chord progressions using the secondary as well as primary triads, harmonizing simple melodies, simple transposition, and basic harmonic progressions in four parts. Two class periods per week plus a keyboard lab. Usually taken in conjunction with MUS 223 (formerly 313). NOTE: Noncredit for students who completed MUS 121.
1/2 Course
MUS 223
Aural Harmony II
Prerequisite: MUS 221 (formerly 121)
Offered: Typically every Spring Term
Continuation of MUS 221. Further studies in sight-singing; melodic and rhythmic dictation; harmonic backgrounds and part-singing; syncopation; and beginning harmonic dictation. Three periods per week. Usually taken in conjunction with MUS 222 (formerly 312). NOTE: Noncredit for students who completed MUS 313.
Offered: Typically every Spring Term
Continuation of MUS 221. Further studies in sight-singing; melodic and rhythmic dictation; harmonic backgrounds and part-singing; syncopation; and beginning harmonic dictation. Three periods per week. Usually taken in conjunction with MUS 222 (formerly 312). NOTE: Noncredit for students who completed MUS 313.
1/2 Course
MUS 224
Appalachian Music (APS)
Offered: Typically as student interest and faculty availability allow
An introduction to the music that has been, and is, an important part of the culture of the Southern Appalachian region. Specific musical elements will be discussed in relation to ballads and songs, instrumental music, bluegrass, country, and various types of religious music. The importance of the region's music and musicians in the development of country and popular music in America is treated. Three periods per week. Arts Perspective and African Americans', Appalachians', and Women's Perspective.
An introduction to the music that has been, and is, an important part of the culture of the Southern Appalachian region. Specific musical elements will be discussed in relation to ballads and songs, instrumental music, bluegrass, country, and various types of religious music. The importance of the region's music and musicians in the development of country and popular music in America is treated. Three periods per week. Arts Perspective and African Americans', Appalachians', and Women's Perspective.
1 Course
MUS 234
Afri-Amer Mus:Overview (AFR)
Prerequisite: GSTR 110
Offered: Typically every Spring Term (next offered term yet to be determined)
The study of African-American music and musicians within the general framework of American society, tracing the development of the music from its African origins to its impact upon and fusion with American music and culture. Although the main focus will be placed upon music indigenous to African-American culture, study will encompass significant African-American musicians in the European classical music tradition. Arts Perspective and African Americans', Appalachians', Women's Perspective.
Offered: Typically every Spring Term (next offered term yet to be determined)
The study of African-American music and musicians within the general framework of American society, tracing the development of the music from its African origins to its impact upon and fusion with American music and culture. Although the main focus will be placed upon music indigenous to African-American culture, study will encompass significant African-American musicians in the European classical music tradition. Arts Perspective and African Americans', Appalachians', Women's Perspective.
1 Course
MUS 286
Special Topics
Prerequisites: Determined by instructor
Offered: Typically as student interest and faculty availability allow
A course designed to meet the particular interests of student and faculty. Topics vary from year to year. See course description in the "Schedule of Classes."
Offered: Typically as student interest and faculty availability allow
A course designed to meet the particular interests of student and faculty. Topics vary from year to year. See course description in the "Schedule of Classes."
1/2 to 1 Course
MUS 320
Materials of Music III
Prerequisite: MUS 222 (formerly 312)
Offered: Typically every Fall Term
Continuation of MUS 222. Seventh chords, altered chords, chromatic harmony, modulation, musical forms, and analysis of musical examples from the common practice period. Three periods per week. Usually taken in conjunction with MUS 321.
Offered: Typically every Fall Term
Continuation of MUS 222. Seventh chords, altered chords, chromatic harmony, modulation, musical forms, and analysis of musical examples from the common practice period. Three periods per week. Usually taken in conjunction with MUS 321.
1/2 Course
MUS 321
Aural & Keyboard Harmony III
Prerequisite: MUS 223 (formerly 313)
Offered: Typically every Fall Term
Continuation of MUS 223. Sight-singing of diatonic and chromatic melodies; use of computers in developing aural skills; melodic, rhythmic, contrapuntal, and harmonic dictation. Harmonizing melodies at the piano keyboard. Two periods per week. Usually taken in conjunction with MUS 320.
Offered: Typically every Fall Term
Continuation of MUS 223. Sight-singing of diatonic and chromatic melodies; use of computers in developing aural skills; melodic, rhythmic, contrapuntal, and harmonic dictation. Harmonizing melodies at the piano keyboard. Two periods per week. Usually taken in conjunction with MUS 320.
1/2 Course
MUS 322
Materials of Music IV
Prerequisite: MUS 320
Offered: Typically every Spring Term
Continuation of MUS 320. Modulation to remote keys, chords of multiple thirds, larger musical forms, alternatives to traditional harmony, impressionism atonality, polytonality, serialism, electronic music, minimalism, and new systems of notation. Analysis of late 19th- and 20th-century works. Creative writing in various styles. Three periods per week. Usually taken in conjunction with MUS 323.
Offered: Typically every Spring Term
Continuation of MUS 320. Modulation to remote keys, chords of multiple thirds, larger musical forms, alternatives to traditional harmony, impressionism atonality, polytonality, serialism, electronic music, minimalism, and new systems of notation. Analysis of late 19th- and 20th-century works. Creative writing in various styles. Three periods per week. Usually taken in conjunction with MUS 323.
1/2 Course
MUS 323
Aural & Keyboard Harmony IV
Prerequisite: MUS 321
Offered: Typically every Spring Term
Continuation of MUS 321. Sight-singing of modulating; modal, tonal, and atonal melodies; and melodic, contrapuntal and harmonic dictation. Continuation of computer usage in furthering aural skills. Keyboard skills include harmonization using diatonic and altered chords, transposition, chord symbols, improvisation, and figured bass. Preparation for Piano Proficiency Examination. Two periods per week. Usually taken in conjunction with MUS 322.
Offered: Typically every Spring Term
Continuation of MUS 321. Sight-singing of modulating; modal, tonal, and atonal melodies; and melodic, contrapuntal and harmonic dictation. Continuation of computer usage in furthering aural skills. Keyboard skills include harmonization using diatonic and altered chords, transposition, chord symbols, improvisation, and figured bass. Preparation for Piano Proficiency Examination. Two periods per week. Usually taken in conjunction with MUS 322.
1/2 Course
MUS 324
Music Composition
Prerequisite: MUS 322
Offered: Typically Fall and Spring terms, as student interest and faculty availability allow (offered Fall 2009 and Spring 2010 this year)
Selected topics in composition are studied, such as texture; tonal and serial procedures; melody with accompaniment; and idiomatic writing for instruments and voices. Students use skills acquired through previous study of theory, harmony, and musical analysis in arranging and creating pieces in small and large forms. A weekly seminar (one hour) and individual conferences (one-half hour) focus on the creation of original works by students and detailed analysis of works that exemplify the selected topics. Students also will gain familiarity with computer programs in music notation and publishing. Individual assignments are made on the basis of each student's ability, training, and experience. May be repeated for credit with permission of instructor.
Offered: Typically Fall and Spring terms, as student interest and faculty availability allow (offered Fall 2009 and Spring 2010 this year)
Selected topics in composition are studied, such as texture; tonal and serial procedures; melody with accompaniment; and idiomatic writing for instruments and voices. Students use skills acquired through previous study of theory, harmony, and musical analysis in arranging and creating pieces in small and large forms. A weekly seminar (one hour) and individual conferences (one-half hour) focus on the creation of original works by students and detailed analysis of works that exemplify the selected topics. Students also will gain familiarity with computer programs in music notation and publishing. Individual assignments are made on the basis of each student's ability, training, and experience. May be repeated for credit with permission of instructor.
1/2 Course
MUS 326
Vocal Methods
Prerequisite: MUS 223 (formerly 313) or permission of instructor
Offered: Typically alternate Fall terms (next offered Fall 2008)
A course in the fundamentals of singing and how these fundamentals may be used in effective instruction of students in a school's music program. A study of the vocal mechanism with special attention given to the physical and psychological aspects of vocal pedagogy. A study of methods appropriate to choral rehearsal. A survey of choral music history and of choral literature as it applies to the school music program at all levels.
Offered: Typically alternate Fall terms (next offered Fall 2008)
A course in the fundamentals of singing and how these fundamentals may be used in effective instruction of students in a school's music program. A study of the vocal mechanism with special attention given to the physical and psychological aspects of vocal pedagogy. A study of methods appropriate to choral rehearsal. A survey of choral music history and of choral literature as it applies to the school music program at all levels.
1 Course
MUS 328
Tchg Brass & Percussion Instru
Prerequisite: Admission to Music or Music Education major; OR permission of instructor
Offered: Typically alternate Spring terms (next offered Spring 2011)
A study of the materials, methods, literature, and pedagogy of brass and percussion instruments. Course requirements include reading and research assignments, examination of appropriate materials and equipment, a performance and teaching laboratory component, and practicum experiences. Three class meetings per week.
Offered: Typically alternate Spring terms (next offered Spring 2011)
A study of the materials, methods, literature, and pedagogy of brass and percussion instruments. Course requirements include reading and research assignments, examination of appropriate materials and equipment, a performance and teaching laboratory component, and practicum experiences. Three class meetings per week.
1/2 Course
MUS 329
Teaching Woodwind Instruments
Prerequisite: Admission to Music or Music Education major; OR permission of instructor
Offered: Typically alternate Fall Terms (next offered Fall 2010)
A study of the materials, literature, and pedagogy of woodwind instruments. Course requirements include reading and research assignments, examination of appropriate materials and equipment, a performance and teaching laboratory component, and practicum experiences. Three class meetings per week.
Offered: Typically alternate Fall Terms (next offered Fall 2010)
A study of the materials, literature, and pedagogy of woodwind instruments. Course requirements include reading and research assignments, examination of appropriate materials and equipment, a performance and teaching laboratory component, and practicum experiences. Three class meetings per week.
1/2 Course
MUS 330
Music History I
Prerequisites: Declared Music or Music Education major or Music minor; and MUS 222 (formerly 312); or permission of instructor
Offered: Typically alternate years (next offered 2010-2011)
An upper-level historical survey of Western music--its styles, genres, composers, and works. A "music-centered" course, this survey will include analysis of representative works of the music literature. The music of classical Greece and the early Christian era through the Baroque, first term; the Classic era to the present day, second term. Four periods per week.
Offered: Typically alternate years (next offered 2010-2011)
An upper-level historical survey of Western music--its styles, genres, composers, and works. A "music-centered" course, this survey will include analysis of representative works of the music literature. The music of classical Greece and the early Christian era through the Baroque, first term; the Classic era to the present day, second term. Four periods per week.
1 Course
MUS 331
Music History II
Prerequisites: Declared Music or Music Education major or Music minor; and MUS 222 (formerly 312); or permission of instructor
Offered: Typically alternate years (next offered 2010-2011)
An upper-level historical survey of Western music--its styles, genres, composers, and works. A "music-centered" course, this survey will include analysis of representative works of the music literature. The music of classical Greece and the early Christian era through the Baroque, first term; the Classic era to the present day, second term. Four periods per week.
Offered: Typically alternate years (next offered 2010-2011)
An upper-level historical survey of Western music--its styles, genres, composers, and works. A "music-centered" course, this survey will include analysis of representative works of the music literature. The music of classical Greece and the early Christian era through the Baroque, first term; the Classic era to the present day, second term. Four periods per week.
1 Course
MUS 335
Mat & Meth of Elem Music
Prerequisite: Admission to Music or Music Education major; OR permission of instructor
Offered: Typically alternate Spring Terms (next offered Fall 2009, as an exception)
An introduction to philosophies, methodologies, and pedagogical foundations of teaching music in elementary schools, including those of Kodaly, Orff, Dalcroze, and Gordon. Course activities would include review of materials, assigned readings, research, class discussions, practical teaching laboratory sessions, and practicum experiences. Four meetings per week.
Offered: Typically alternate Spring Terms (next offered Fall 2009, as an exception)
An introduction to philosophies, methodologies, and pedagogical foundations of teaching music in elementary schools, including those of Kodaly, Orff, Dalcroze, and Gordon. Course activities would include review of materials, assigned readings, research, class discussions, practical teaching laboratory sessions, and practicum experiences. Four meetings per week.
1 Course
MUS 336
Fund Tchg Instrumental Music
Prerequisites: Music majors only or by permission of instructor; EDS 150 (formerly 250); and MUS 223 (formerly 313)
Offered: Typically alternate Fall Terms (next offered Spring 2010, as an exception)
A course that provides an overview of the instrumental music-education profession, including the philosophy, methodology, and pedagogical foundations that are essential for successful teaching. The course is intended to assist the prospective instrumental music educator in the development of necessary musical, teaching, administrative, and personal skills. Four periods per week.
Offered: Typically alternate Fall Terms (next offered Spring 2010, as an exception)
A course that provides an overview of the instrumental music-education profession, including the philosophy, methodology, and pedagogical foundations that are essential for successful teaching. The course is intended to assist the prospective instrumental music educator in the development of necessary musical, teaching, administrative, and personal skills. Four periods per week.
1 Course
MUS 337
Conducting
Prerequisite: MUS 223 (formerly 313)
Offered: Typically alternate Fall Terms (next offered Fall 2009)
Study and practice of beat patterns, baton technique, left-hand functions, cueing, pulse changes, recitative conducting, error detection, score reading, score marking, and other techniques used in instrumental and choral conducting. Practical experience. Concurrent participation in ensemble of major applied instrument (MUS 131, 132, or 135) is required for laboratory experience.
Four periods per week.
Offered: Typically alternate Fall Terms (next offered Fall 2009)
Study and practice of beat patterns, baton technique, left-hand functions, cueing, pulse changes, recitative conducting, error detection, score reading, score marking, and other techniques used in instrumental and choral conducting. Practical experience. Concurrent participation in ensemble of major applied instrument (MUS 131, 132, or 135) is required for laboratory experience.
Four periods per week.
1 Course
MUS 340O
Organ Pedagogy
Prerequisite: MUA 221 (organ) or permission of instructor
Offered: Typically as student interest and faculty availability allow
A study of instructional methods and materials used in teaching organ, as well as performance practices and problems. Each person enrolled in the course will teach lessons to two beginning organ students during the term, gaining practical experience in pedagogy. Two periods per week plus one hour teaching.
Offered: Typically as student interest and faculty availability allow
A study of instructional methods and materials used in teaching organ, as well as performance practices and problems. Each person enrolled in the course will teach lessons to two beginning organ students during the term, gaining practical experience in pedagogy. Two periods per week plus one hour teaching.
1/2 Course
MUS 340P
Piano Pedagogy
Prerequisite: MUA 221p (piano) or permission of instructor
Offered: Typically as student interest and faculty availability allow
Lectures and discussion of teaching skills on all levels, in addition to a survey of methods and materials. Private and class teaching methods. Two periods per week.
Offered: Typically as student interest and faculty availability allow
Lectures and discussion of teaching skills on all levels, in addition to a survey of methods and materials. Private and class teaching methods. Two periods per week.
1/2 Course
MUS 341
Studio Teaching
Prerequisite: MUS 340p
Offered: Typically as student interest and faculty availability allow
Supervised teaching of piano with related discussions in a weekly seminar. One-hour seminar, plus two periods of teaching per week.
Offered: Typically as student interest and faculty availability allow
Supervised teaching of piano with related discussions in a weekly seminar. One-hour seminar, plus two periods of teaching per week.
1/2 Course
MUS 342V
Voice Pedagogy & Diction
Prerequisite: MUA 326v (voice) or permission of instructors
Offered: Typically alternate Spring terms (next offered Spring 2012, as an exception)
A study of the physiological functions involved in singing (breathing, phonation, etc.). Consideration of vocal methods, use of imagery in teaching, resonance, tone quality, placement, vocalization, diction (Italian, German, French, and English) including a working knowledge of the International Phonetic Alphabet (IPA), and interpretation. There will be many reading assignments, as well as listening to recordings and observing singers. Practical experience will be obtained by working with members of the voice class. Four periods per week: one day will be a laboratory experience.
Offered: Typically alternate Spring terms (next offered Spring 2012, as an exception)
A study of the physiological functions involved in singing (breathing, phonation, etc.). Consideration of vocal methods, use of imagery in teaching, resonance, tone quality, placement, vocalization, diction (Italian, German, French, and English) including a working knowledge of the International Phonetic Alphabet (IPA), and interpretation. There will be many reading assignments, as well as listening to recordings and observing singers. Practical experience will be obtained by working with members of the voice class. Four periods per week: one day will be a laboratory experience.
1 Course
MUS 350O
Organ Literature I
Prerequisite: MUA 221o (organ) or permission of instructor
Offered: Typically as student interest and faculty availability allow
A comprehensive introduction to organ literature, including the historical development of the organ. Characteristic forms, compositional styles, and the various "schools" of organ composition are traced from the Medieval through the Classic era. Representative organ works are heard live or through recordings made on historic instruments. Two periods per week.
Offered: Typically as student interest and faculty availability allow
A comprehensive introduction to organ literature, including the historical development of the organ. Characteristic forms, compositional styles, and the various "schools" of organ composition are traced from the Medieval through the Classic era. Representative organ works are heard live or through recordings made on historic instruments. Two periods per week.
1/2 Course
MUS 350P
Piano Literature I
Prerequisite: MUA 221p (piano) or permission of instructor
Offered: Typically as student interest and faculty availability allow
The study of the history and literature of piano music as it developed through the ages. Starting with the early national schools of keyboard music and progressing through the music of Beethoven, the course will deal with different phases of keyboard development, the more important musical forms, performance practice, and the significant piano music of the major composers of each era. Individual research, some informal performance in class by both the teacher and the student, as well as outside listening, will be included. Two periods per week.
Offered: Typically as student interest and faculty availability allow
The study of the history and literature of piano music as it developed through the ages. Starting with the early national schools of keyboard music and progressing through the music of Beethoven, the course will deal with different phases of keyboard development, the more important musical forms, performance practice, and the significant piano music of the major composers of each era. Individual research, some informal performance in class by both the teacher and the student, as well as outside listening, will be included. Two periods per week.
1/2 Course
MUS 351O
Organ Literature II
Prerequisite: MUS 350o or permission of instructor
Offered: Typically as student interest and faculty availability allow
A continuation of MUS 350o, with works from the Romantic period through the 20th century being played, heard, and discussed. The development of 19th- and 20th-century organs and their influence on compositional style. Two periods per week.
Offered: Typically as student interest and faculty availability allow
A continuation of MUS 350o, with works from the Romantic period through the 20th century being played, heard, and discussed. The development of 19th- and 20th-century organs and their influence on compositional style. Two periods per week.
1/2 Course
MUS 351P
Piano Literature II
Prerequisite: MUS 350p or permission of instructor
Offered: Typically as student interest and faculty availability allow
A continuation of MUS 350p including the Romantic composers through the present day. Schools of technique and 19th- and 20th-century pianists also will be studied. Two periods per week.
Offered: Typically as student interest and faculty availability allow
A continuation of MUS 350p including the Romantic composers through the present day. Schools of technique and 19th- and 20th-century pianists also will be studied. Two periods per week.
1/2 Course
MUS 352
Vocal Literature
Prerequisite: MUA 326 (voice) or permission of instructor
Offered: Typically as student interest and faculty availability allow
A course to familiarize the student with the vocal forms, styles, and repertoire of Early English Baroque period; 18th-, 19th- and 20th-century Italian, French, German, British, and American art song literature; and sacred vocal literature. There will be comprehensive weekly listening and reading assignments and some singing. Four periods per week; one day will be a laboratory experience.
Offered: Typically as student interest and faculty availability allow
A course to familiarize the student with the vocal forms, styles, and repertoire of Early English Baroque period; 18th-, 19th- and 20th-century Italian, French, German, British, and American art song literature; and sacred vocal literature. There will be comprehensive weekly listening and reading assignments and some singing. Four periods per week; one day will be a laboratory experience.
1 Course
MUS 386
Special Topics
Prerequisites: Determined by instructor
Offered: Typically as student interest and faculty availability allow
A course designed to meet the particular interests of student and faculty. Topics vary from year to year. See course description in the "Schedule of Classes."
Offered: Typically as student interest and faculty availability allow
A course designed to meet the particular interests of student and faculty. Topics vary from year to year. See course description in the "Schedule of Classes."
1/2 to 1 Course
MUS 390A
Independent Study
Prerequisite: Sophomore or junior standing for 390; senior standing for 490
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by the student. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Department Chairperson, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 390/490A if approved to meet the Active Learning Experience (ALE) or as 390/490B if approved as non-ALE.
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by the student. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Department Chairperson, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 390/490A if approved to meet the Active Learning Experience (ALE) or as 390/490B if approved as non-ALE.
1 Course
MUS 390B
Independent Study w/o ALE
Prerequisite: Sophomore or junior standing for 390; senior standing for 490
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by the student. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Department Chairperson, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 390/490A if approved to meet the Active Learning Experience (ALE) or as 390/490B if approved as non-ALE.
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by the student. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Department Chairperson, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 390/490A if approved to meet the Active Learning Experience (ALE) or as 390/490B if approved as non-ALE.
1 Course
MUS 395
Internship
Prerequisite: Sophomore, junior, or senior standing
Offered: Typically every term
An experiential learning experience individually designed for students with a special academic interest requiring integration of classroom learning with practical experience. Includes on-campus seminars with academic sponsors, as well as non-classroom experience. One to three course credits in one 14-week term or one course credit in Short Term may be taken in Internships. Requires the approval of two faculty sponsors and the Department assumes the responsibility for determining credit allowance. The Coordinator of Internships gives final approval for Internship proposals. This course may be used to meet the Active Learning Experience (ALE) requirement.
Offered: Typically every term
An experiential learning experience individually designed for students with a special academic interest requiring integration of classroom learning with practical experience. Includes on-campus seminars with academic sponsors, as well as non-classroom experience. One to three course credits in one 14-week term or one course credit in Short Term may be taken in Internships. Requires the approval of two faculty sponsors and the Department assumes the responsibility for determining credit allowance. The Coordinator of Internships gives final approval for Internship proposals. This course may be used to meet the Active Learning Experience (ALE) requirement.
1 Course
MUS 397A
Team Initiated Study
Prerequisite: Sophomore or junior standing for 397; senior standing for 497
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by two or more students who have a similar interest in the topic proposed. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Program Director, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 397/497A if approved to meet the Active Learning Experience (ALE) or as 397/497B if approved as non-ALE.
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by two or more students who have a similar interest in the topic proposed. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Program Director, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 397/497A if approved to meet the Active Learning Experience (ALE) or as 397/497B if approved as non-ALE.
1 Course
MUS 397B
Team Initiated Study w/o ALE
Prerequisite: Sophomore or junior standing for 397; senior standing for 497
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by two or more students who have a similar interest in the topic proposed. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Program Director, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 397/497A if approved to meet the Active Learning Experience (ALE) or as 397/497B if approved as non-ALE.
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by two or more students who have a similar interest in the topic proposed. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Program Director, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 397/497A if approved to meet the Active Learning Experience (ALE) or as 397/497B if approved as non-ALE.
1 Course
MUS 398
Directed Study
Prerequisites: Will vary, but always will include permission of instructor
Offered: Typically on a limited basis as student interest and faculty availability allow
A course organized and directed by faculty and approved by the Department Chairperson to meet the particular interests and/or needs of specific students.
Offered: Typically on a limited basis as student interest and faculty availability allow
A course organized and directed by faculty and approved by the Department Chairperson to meet the particular interests and/or needs of specific students.
1 Course
MUS 400
Senior Seminar
Prerequisite: Senior standing and permission of instructor
Offered: Typically every Spring Term
Senior Seminar is designed to be the capstone experience of the Music Department's core curriculum. As such, the seminar will focus on the research, study, practice, and implementation of the senior Music major's final project, which will consist of a final paper, and a performance or other public presentation. The seminar will function as a laboratory for students to present ideas and receive feedback as they work collaboratively and individually in completing their projects. As a culmination and integration of training and learning and as preparation for their professional future, this seminar provides an important support structure and learning community for Music majors. Course will meet once per week. NOTE: Required of all General Music majors, and part of an optional course sequence for Music Education majors. Students in General Music may take MUS 400 (1/2 credit) and MUA 400 (1/2 credit) to fulfill the Senior Seminar requirement if they do a recital and pass a recital preview. Other General Music majors will take MUS 400 as a one-credit course. Music Education majors may choose to take the course as 1/2 or full credit, in consultation with their Academic Adviser.
Offered: Typically every Spring Term
Senior Seminar is designed to be the capstone experience of the Music Department's core curriculum. As such, the seminar will focus on the research, study, practice, and implementation of the senior Music major's final project, which will consist of a final paper, and a performance or other public presentation. The seminar will function as a laboratory for students to present ideas and receive feedback as they work collaboratively and individually in completing their projects. As a culmination and integration of training and learning and as preparation for their professional future, this seminar provides an important support structure and learning community for Music majors. Course will meet once per week. NOTE: Required of all General Music majors, and part of an optional course sequence for Music Education majors. Students in General Music may take MUS 400 (1/2 credit) and MUA 400 (1/2 credit) to fulfill the Senior Seminar requirement if they do a recital and pass a recital preview. Other General Music majors will take MUS 400 as a one-credit course. Music Education majors may choose to take the course as 1/2 or full credit, in consultation with their Academic Adviser.
1/2 to 1 Course
MUS 486
Special Topics
Prerequisites: Determined by instructor
Offered: Typically as student interest and faculty availability allow
A course designed to meet the particular interests of student and faculty. Topics vary from year to year. See course description in the "Schedule of Classes."
Offered: Typically as student interest and faculty availability allow
A course designed to meet the particular interests of student and faculty. Topics vary from year to year. See course description in the "Schedule of Classes."
1/2 to 1 Course
MUS 490A
Independent Study
Prerequisite: Sophomore or junior standing for 390; senior standing for 490
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by the student. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Department Chairperson, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 390/490A if approved to meet the Active Learning Experience (ALE) or as 390/490B if approved as non-ALE.
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by the student. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Department Chairperson, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 390/490A if approved to meet the Active Learning Experience (ALE) or as 390/490B if approved as non-ALE.
1 Course
MUS 490B
Independent Study w/o ALE
Prerequisite: Sophomore or junior standing for 390; senior standing for 490
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by the student. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Department Chairperson, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 390/490A if approved to meet the Active Learning Experience (ALE) or as 390/490B if approved as non-ALE.
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by the student. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Department Chairperson, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 390/490A if approved to meet the Active Learning Experience (ALE) or as 390/490B if approved as non-ALE.
1 Course
MUS 495
Internship
Prerequisite: Sophomore, junior, or senior standing
Offered: Typically every term
An experiential learning experience individually designed for students with a special academic interest requiring integration of classroom learning with practical experience. Includes on-campus seminars with academic sponsors, as well as non-classroom experience. One to three course credits in one 14-week term or one course credit in Short Term may be taken in Internships. Requires the approval of two faculty sponsors and the Program assumes the responsibility for determining credit allowance. The Coordinator of Internships gives final approval for Internship proposals. This course may be used to meet the Active Learning Experience (ALE) requirement. NOTE: To count as a CFS Internship, the primary sponsor must be a full-time member of the CFS faculty. The CFS Department has imposed specific expectations for Internships within this Department. Please check with the Department Chairperson for additional information.
Offered: Typically every term
An experiential learning experience individually designed for students with a special academic interest requiring integration of classroom learning with practical experience. Includes on-campus seminars with academic sponsors, as well as non-classroom experience. One to three course credits in one 14-week term or one course credit in Short Term may be taken in Internships. Requires the approval of two faculty sponsors and the Program assumes the responsibility for determining credit allowance. The Coordinator of Internships gives final approval for Internship proposals. This course may be used to meet the Active Learning Experience (ALE) requirement. NOTE: To count as a CFS Internship, the primary sponsor must be a full-time member of the CFS faculty. The CFS Department has imposed specific expectations for Internships within this Department. Please check with the Department Chairperson for additional information.
1 to 3 Courses
MUS 497A
Team Initiated Study
Prerequisite: Sophomore or junior standing for 397; senior standing for 497
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by two or more students who have a similar interest in the topic proposed. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Program Director, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 397/497A if approved to meet the Active Learning Experience (ALE) or as 397/497B if approved as non-ALE.
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by two or more students who have a similar interest in the topic proposed. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Program Director, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 397/497A if approved to meet the Active Learning Experience (ALE) or as 397/497B if approved as non-ALE.
1 Course
MUS 497B
Team Initiated Study w/o ALE
Prerequisite: Sophomore or junior standing for 397; senior standing for 497
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by two or more students who have a similar interest in the topic proposed. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Program Director, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 397/497A if approved to meet the Active Learning Experience (ALE) or as 397/497B if approved as non-ALE.
Offered: Typically as student interest and faculty availability allow
A course initiated, directed, and organized by two or more students who have a similar interest in the topic proposed. All such courses are to be supported by a faculty sponsor, second reader, academic adviser, Program Director, and possibly others. Course proposals must meet the approval of the Coordinator of Advising (the Academic Program Council liaison). Will be registered by the Office of Academic Services as 397/497A if approved to meet the Active Learning Experience (ALE) or as 397/497B if approved as non-ALE.
1 Course
MUS 498
Directed Study
Prerequisites: Will vary, but always will include permission of instructor
Offered: Typically on a limited basis as student interest and faculty availability allow
A course organized and directed by faculty and approved by the Department Chairperson to meet the particular interests and/or needs of specific students.
Offered: Typically on a limited basis as student interest and faculty availability allow
A course organized and directed by faculty and approved by the Department Chairperson to meet the particular interests and/or needs of specific students.
1 Course
Notice and Disclaimer
This online publication is the official text of the Berea College Catalog & Student Handbook. Berea College reserves the right to amend, revise, or modify content within this publication at any time.
Effective Date: 9-1-2009
Approved by: Rita Fox
