| Year |
Name |
Topic |
| 1974 |
Gary English, Moderator |
Panel on Old Time Music, including John Lair, Bradley Kincaid, Lily May Pennington, Asa Martin, Jean Ritchie, Buell Kazee, Bert Layne, and Fred Stanley |
| 1975 |
Joan Moser, Chairwoman |
Panel on Traditional Appalachian Instruments and Music, including John Lair, Janette Carter, Paul Campbell, Byard Ray, Buell Kazee, Sparky Rucker, and Raymond McLain |
| 1976 |
John Ramsay, Director of BC Recreation Extensions and the Country Dancers |
Panel on Traditional Dance Music, including Peter Rogers and John McCutcheon |
| 1977 |
William H. Tallmadge, BC Music Department |
Panel on Cecil Sharp in Kentucky, including Raymond K. McLain, Maude Kilbourne, and Ethel Capps |
| 1978 |
Bill C. Malone, Professor of History at Tulane University |
Traditional Roots of Country Music |
| 1979 |
Burt Feintuch, Western Kentucky University |
Traditional Fiddling in the South |
| 1980 |
Charles Wolfe, Professor of English at Middle Tennessee State University Murfreesboro |
Early Recording Companies and Old Time Music |
| 1981 |
Doc Watson, Bill Monroe and Ralph Rinzler |
Music and Change in the Region |
| 1982 |
Jean Ritchie and George Pickow |
Collection and Documentation |
| 1983 |
William H. Tallmadge, BC Music Department |
The Lining Hymnody of the Regular Baptist, including singers from the Indian Bottom Association of Old Regular Baptist and Elder Elwood Cornett |
| 1984 |
Guthrie T. Meade |
Seeking out the Early Kentucky Recording Artists |
| 1985 |
Loyal Jones, Director of Berea College Appalachian Center. |
Bascom Lamar Lunsford and the Folk Festival Movement |
| 1986 |
Bill C. Malone, Professor of History at Tulane University |
Bluegrass: Is it Traditional? including Bobbie Malone |
| 1987 |
W.K. McNeil, Folklorist |
The Relationship Between Ozark and Appalachian Music: Similarities and Differences |
| 1988 |
Ivan M. Tribe, Rio Grande State University |
The Stoneman Family of Virginia |
| 1989 |
Michael Kline, Western Carolina University |
Walker Calhoun- Cherokee Singer |
| 1990 |
Michael Kline, Western Carolina University |
Cherokee Music and Dance, including Walker Calhoun and the Raven Rock Dancers |
| 1991 |
Kinney Rorrer |
Banjo Styles of Virginia and North Carolina |
| 1992 |
John Harrod |
In Search of ‘The Lost Hornpipe’: Adventures with Kentucky Traditional Music |
| 1993 |
Gerald Milnes, Folklorist at Augusta Heritage Center |
The Fretted Dulcimer in West Virginia, including Walter Miller |
| 1994 |
Sparky Rucker |
Civil War Music |
| 1995 |
John Hartford |
The Legendary Fiddler Ed Haley |
| 1996 |
Betty Smith |
A Singer Among Singers: Jane Gentry of Madison County, North Carolina |
| 1997 |
Cari Norris |
Lily May Ledford |
| 1998 |
Susan and Geoff Eacker |
Women Banjo Players in Appalachia |
| 1999 |
Carl Smith, Kentucky State University |
Lined Hymns in African-American Churches in Eastern Kentucky |
| 2000 |
Homer Ledford |
Creating Traditional Music Instruments |
| 2001 |
Alan Jabbour, Founding Director of the American Folklife Center at the Library of Congress |
Fiddle Tunes of the Old Frontier |
| 2002 |
George R. Gibson |
Knott County Banjo: History, Tales, Tunes, and Traditions |
| 2003 |
Phil Jamison, Warren Wilson College |
The Square Roots: Origins and Evolution of Southern Appalachians Square Dance |
| 2004 |
John Bealle |
Sacred Harp as Folksong |
| 2005 |
John Harrod |
A Keen Cut with the Bow: The Art of Kentucky Fiddling |
| 2006 |
Fred J. Hay, Appalachian State University |
Affrilachian Music: Black Musicians and Black/ White Musical Exchange in Appalachia |
| 2007 |
Michael and Carrie Nobel Kline |
Where the Coal Trains Load: World Music of Eastern Pennsylvania |
| 2008 |
Cecelia Conway, Appalachian State University |
African Roots of the Mountain Banjo and Fiddle |
| 2009 |
Loyal Jones |
Country Music Humorists and Comedians |